It is touching on my Bonded, and is in fact the very reason I chose to ask that particular question. I appreciate that you can humor it on an intellectual level, rather than spiraling into emotional, irrational discourse.
[Like some others. L doesn't name names, exactly, but there are certainly a few particular ones in his thoughts.
Though Myr's voice turns passionate, at the end, it is not the same thing as irrational or even emotional. In fact, it's another binding cord, because though L considers himself deeply rational and unemotional, he also considers himself deeply passionate. Artists who are largely locked away from the day to day, mundane give and take of social rules may still express their hearts in the body of their work, and connect in that way, and L is much the same.]
There's nuance to it, of course. Surely some things that can be controlled, or attributed to free will, and others that they're powerless to help.
[At this point, L is speaking, blatantly and solely, about the SQUIP.]
no subject
[Like some others. L doesn't name names, exactly, but there are certainly a few particular ones in his thoughts.
Though Myr's voice turns passionate, at the end, it is not the same thing as irrational or even emotional. In fact, it's another binding cord, because though L considers himself deeply rational and unemotional, he also considers himself deeply passionate. Artists who are largely locked away from the day to day, mundane give and take of social rules may still express their hearts in the body of their work, and connect in that way, and L is much the same.]
There's nuance to it, of course. Surely some things that can be controlled, or attributed to free will, and others that they're powerless to help.
[At this point, L is speaking, blatantly and solely, about the SQUIP.]